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Wednesday, November 9, 2011

Today’s Musical Selection Will Be



Do you ever howl sometimes in a loud, yet quiet note?
Do strange fingers ever reach out and
Stroke some sleeping
Ache, lodged within
Your Soul?

Does a tear ever make a clearly distinct noise
As it crawls… before falling
In a singular ping of
A triangle's
Jangle?

If the written word were a strain of music,
Arranged to echo the sound of your
Essence, what tune would it
Assume? What instrument,
What timbre would suit
The voice of your
Deepest
Mood?

Would you strum your strings softly
Or bleat your horn, loudly?
Would you swiftly strike
Every key upon your
Piano, like a
Virtuoso,
Angrily?

If the spoken words were music, what
Sound would you affect? The vibrato
Of a cello? The rhymic pounding of
Drum? Perhaps a bass
With its resounding
Fret?

If your emotions were a symphony,
Would they thunder in dissonance,
Vibrate with sound and righteous
Fury… Or stew and brew
Like Miles Davis'
Mute?

Me? I am muting today, deep in my own
Blue instrumental jam. I am a hobo's
Trumpet… Awaiting the lips of
A muse to stroke me sweetly,
And blow upon my
Chrome.

I am a solo sound with no direction… lyrics
In search of introspection. I am
A wild note, cast to
A mercurial wind.
A distant quake
From a faraway
Gong.

Perhaps… this is my most authentic
Resonance … the genuine tone
Trapped within the solitary riffs
Of my lone blown
Lin-song.

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One.




© 2011 by L.M.Ross moaningmanblues



And on a sadder musical note:



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Rest In Peace Heavy D...You always brought a sense of fun & a party vibe to the Hip-hop game. You will be seriously missed.

Moanman-out.

Tuesday, November 8, 2011

The God Voice: For Coltrane, Dem Blues-Playas & Myself





Maybe
God
Sounds like
Satchmo
On a good day or
A bad night,
With a slight cold
In a wheezy
Scratch-throated
Cry of
The Blues.

Yeah...
Maybe Jazz
And Blues be
The Music of
A Woozy God, High
And addicted to this
Possibility in us,
And yet
Hip
To this slick
Grog of
Disappointment.

Maybe that
God Voice Cries
From the feet
And the spine
And the lungs
And the lips
And the heart
Of Slaves...
And maybe now
The players must cling
To horns like
Old Negroes
Clung tight to Spirituals
Or lapsed Catholics
Do to prayers and
Crucifixes.

Maybe the
God Voice
Is in our music, yo.

But, on a good day
In a bad way
Some sanctified players
Still come out to play...
And they reach down
Deep beneath

The lost years
The lost faith
The lost pride
The lost grooves
The lost eyes
The bad trips
The counterfeits
The heroin scabs
And infected chicks
To find magic
In that
Sweet and Mystic Riff.

And That God Voice
Kicks in
So deep,
So painful,
So real,
So necessary that
It clears the tears
From the blare
Of the
Horn...

And it makes
Its God Noise
So Real and
So strong...
So authentic
So calm
That it makes you
Believe in
Magic
Again.

Yeah...
Just maybe Jazz
And Blues be
The music of
A Woozy God,
So High,
So addicted to this
Possibility of
Us...
And yet,
Hip
To this slick grog
Of disappointment.



One.



Saturday, October 22, 2011

When Acts of Love Become Verbs



Yesterday, I became an eyewitness to love. Actually what I saw were little acts of love, and these are among the best and purest examples of love there can ever be. I mean the kind of love that becomes a soft and gentle verb. The actions shifting before my eyes were small, and yet beautiful, so mad beautiful almost to the point of making me want to weep.

Lately, many things seem to touch me in a sweet spot and will literally bring tears to my eyes… even in a public setting. It’s become very embarrassing.

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But I digress...

Picture it: I’m in my doctor’s office, waiting, like the rest, for someone there to respect the appointment time I’d rushed from my home like a madman to keep... but somehow the medical profession doesn’t seem to respect or really acknowledge. So, I’m waiting as people slowly filter by, while others sit like I sit, pretending to be engrossed in the shiny magazines sprinkled about on surrounding tables (most of which are at least 3 to 4 months out of date).

Anyway, each time the door would open, we’d shift, redirect our eyes to whoever entered the room. They would steal our gaze temporarily before we’d head back to our shiny magazines. But my eyes refused to shift back to reading. Instead they remained fixed on the elderly couple who had just walked into this space. This was the kind of couple you just know has been married since time was a child. They are old, but still young inside their love. I could intuit this by the slow and gingerly way the husband treated his wife as he made room for her (and her walker) to make it safely inside. I could tell this because it was more than just polite concern... it was an act of love, something he had no doubt been displaying for the last 50, 60 or 70 years for this woman. I suddenly wished I could have seen their wedding portrait. I wanted to see their youthful faces, the features that first attracted them to each other. I wanted to feel their love in a visual, visceral way and to appreciate its history in another time and place.

Anyway, I sat there pretending not to stare and watched them live inside that love they shared. The wife needed help getting around, and instead of letting her rise, he went to the table and asked which magazines she wanted to see. It was such a gentle thing, a small thing... but it too was an act of love.

This man, I could tell, was not in the best of health either. His gait was slow, his posture, a bit stooped, his feet not so surefooted, but he was still able to move, to walk, to get around on his own. I imagined there had been times when he was the weaker one, health-wise, and it was she who did all those small, gentle but loving things for him. Together they truly were the physical ideal of that marriage vow:

“In sickness and in health… until death do us part.”

I suddenly thought about their deaths: which one of them would go first into that bright and shining light, and just how long it might take the heartsick other to join their partner? I gathered it would not take very long at all. People who truly, deeply, madly love each other tend not to survive for very long without their counterpart, that other twin heart, that other loving soul living, breathing and witnessing life right beside them.

Isn't that romantic? Isn't that the biggest verb of all?

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Sitting there letting it all wash over me, I was almost jealous of that love; envious that I may never grow so old as to see my late 80s, or have someone to truly love me through it for all those years. I was filled with all these crazy notions of how wonderful it must be to have someone loving me that way, so hard and full and yet so gentle, and for such a long time. I wanted to cry for them and to weep for myself, and yet I somehow managed to keep my stone man-face in order.

It was a good thing too, because suddenly a nurse was calling my name to enter the examination room.

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Suddenly all the attention shifted to me, and my sick and lonesome ass.

The thing is: I just could not get that elderly couple out of my mind.

I wonder, no matter what illness brought them to that place, if they realized how LUCKY, and how Blessed they were.

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Love is a beautiful thing. But love is the most beautiful of all each and every time it becomes a verb.

One.

Friday, September 30, 2011

Reflections On Life (Or Me "Just Vampin' To Be Handsome")




Lately I have been thinking about the reality of dying. Not that I’m actively embracing it, or wrapping it around me like a cape full of heavenly stars and constellations, so please, don’t get it twisted. No, my thoughts are more centered upon the intensity of the journey and then soul-searching my way through it. So many people I’ve known and loved and expected to be around for the long haul have already departed this life. It makes me very, very reflective. Why am I still here? Why, when some of them never lived to see age 30, or 40?

I’ve always been accused of being a ‘deep thinker' so this is probably just an extension of my own curious nature… But I wonder about things and about people and this deeply finite life we’re all living.

I wonder about those who are so obviously living it too fast, too frivolously or too foul as if they’ve already made up their minds that this, this right HERE is it. This is all there is to life and there is and will be NO afterlife, no place of consequence or judgment for the way they’ve conducted themselves while here. I think of all the hurt, the madness, the destruction and broken hearts left in their wake, and I almost feel sorry for them-- those spirit-breakers. I’ve the strangest feeling that, like Stevie sang at Michael Jackson’s funeral:

They Won’t Go Where I Go.”


Oh. And speaking of music… another thing… and this is kinda crazy so it must be symbolic of something: Lately, for no good reason, I will flashback on a song that I haven’t heard or sang or even thought about since I was a kid and that song will haunt me slowly for hours.


Mental exercise here: Think back to a song you learned in school, or first heard as a kid. Listen to it, right now, in your mind. When you HEAR it, is it still in that kid’s voice... that high-pitched, gender-free noise of your youth? I wonder what’s up with that?

Maybe it’s the sound of our own lives being reviewed, being refreshed, being rehashed, being reflected upon. And that always MEANS something.

These days I’m feeling kinda Blessed because I realize I didn’t have to still be here, still writing, still fighting, still loving in this mad way I tend to love. It’s all a Gift.

Life is a GIFT people. Please don’t be in such a hurry to trade yours in for something better. Don’t waste your time whining and bitching about it when it doesn’t quite fit you the way you think it should. It’s still a GIFT, damn it! So be grateful and gracious about it, or you just might mess around and piss God off!

*A tear falls to my lap.*

Damn! What a wimp! I didn’t even see or feel that one coming.


But much like life, I’m sure it must mean something.

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Snatch JOY, y'all!

One.

Lin

Tuesday, August 23, 2011

Paying Props To A Gifted Wordsmith: Nick Ashford



When a poet dies, I get this sad and romantic notion that the pages they'd written upon have left their grasp and are flying on the wind.

Yesterday, Nick Ashford passed at age 69. He had been undergoing radiation for throat cancer. Today I find myself reflecting, not only upon the over four-decades worth of wonderful and memorable music he made with his wife Valerie Simpson, but I’m marveling at what a fine writer he was. It was he who wrote the words to their hits. It was his sensitive spirit that gave lyrical birth to such classic hit s as s, "Ain't No Mountain High Enough" and "Ain't Nothing Like the Real Thing," along with "You're All I Need To Get By," "Remember Me," "Somebody Told A Lie," “It Seems To Hang On,” “No One Gets The Prize," and “Solid (As a Rock)”.

There were dozens upon dozens of songs composed By Nick Ashford and Valerie Simpson. Some were great, some were unknown, but still gems in their own right.


My personal favorite was not considered a hit. It rarely received radio play, or the kind of kudos much of Nick and Val’s tunes regularly amassed. It was a song about a loner’s spirit. This was apparently who Nick Ashford was, according to his wife. He liked his alone time, and it allowed him to get in touch with the muse he needed to create. I could relate to this and thus, the song “Stay Free” seemed to speak directly to me. He and he and Valerie recorded it back in the late 70s, and I will conclude this entry with the lyrics from that brilliant piece of musical poetry.

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Together Ashford and Simpson, in addition to their musical careers as writers and later performers also owned several restaurant/clubs, including the 20/20 on W. 20th St. and the Sugar Bar on W. 72nd St in NYC.

They were a DJ team for several years on WRKS (98.7 FM), playing the kind of music they wrote and sang.

Ashford, a tall imposing man whose signature hair was long, was known as a gentle presence in the music business.

Nickolas Ashford was born in South Carolina and grew up in Michigan. He moved to New York in the early 1960s with $57 in his pocket, hoping to make it in show business. He was attending Harlem's White Rock Baptist Church when he met Valerie Simpson, a New Yorker who sang in the choir and also had musical ambitions.

They recorded together briefly and unsuccessfully in 1964 as "Valerie and Nick," but had more success with writing songs - which at first, said Ashford, they sold for $75 apiece.

Their first big hit was Ray Charles's "Let's Go Get Stoned," which hit the top 10 on the R&B charts in 1966, and soon after they signed to Motown.

Besides songwriting, they also produced most of Diana Ross's first three solo albums and worked with artists that included Teddy Pendergrass, Gladys Knight, Smokey Robinson and Chaka Khan.

Ashford did a few solo projects, including some unsuccessful singles and the very successful production of the 1968 Supremes/Temptations collaboration "I'm Gonna Make You Love Me."

Still, he and Simpson remained a team, and they got married in 1974. They had two daughters.

They had disco-era hits with "Send It" and "Street Corner" and wrote "I'm Every Woman," which Whitney Houston sang in "The Bodyguard."

Simpson, who did most of the composing while Ashford wrote most of the lyrics, later said it was "like pulling teeth" to get him to write "I'm Every Woman," but that it was worth the effort.

Ashford later had a few acting roles, including The Rev. Oates in "New Jack City."

His and Simpson's songs have been sampled in recent years by artists like 50 Cent. They received a writing credit for Amy Winehouse's 2007 "Tears Dry On Their Own" because so much of the melody was lifted from "Ain't No Mountain High Enough."

Ashford is survived by his wife and their two daughters.

The wonderful thing about music is that it never dies. Long after the writers, the singers and the players have been called home, we and the generations behind us will still be warmed by the gifts their music leaves behind.

Behold, One of Nick Ashford’s gifts to the world…



Stay Free:

You like to watch the clouds drifting
'Cause you feel some kind of kindred
Won't tell nobody what you're into
Spend lots of time dreaming
All through the day
When love looks in your eyes you turn away

You like to stay free
That's what you told me
That's all in life you ever want to be
You like to stay free
Standing in my face you said to me
No one would ever fill the space
Stay free
Stay free

You like to sit high on a hill
Count the daisies in the field
It's your own way of playing solitaire
You won't answer no question
Or say where you've been
The last thing you think you need is a friend

You like to stay free
That's what you told me
That's all in life you ever wanna be
You like to stay free
Such a pretty face
There ought to be somebody there to fill the space
Stay free
Stay free
Stay free
Stay free

Independent
Ha, ha, ha, ha
Independent
Ha, ha, ha, ha

Independent
Ha, ha, ha, ha
Independent
Ha, ha, ha, ha

You must be some special kind of breed
I could tell from the life that you need
If that's to be your destiny
Gotta feel it, you gonna be lo-o-o-o-o-o-onely
You gonna be lo-o-o-o-o-o-onely
If you stay free, stay free, stay free

That's what you told me
That's all in life you ever want to be
If you stay free
Standing in my face you said to me
No one would ever fill the space

Stay free, stay free

Independent
Ha, ha, ha, ha
Independent
Ha, ha, ha, ha

Independent
Ha, ha, ha, ha
Independent
Ha, ha, ha, ha

You like to stay free
That's what you told me
You like to stay free, (free, free)
Don't want
Don't want nobody
You like to stay free



~Lyrics by Nicholas Ashford

Friday, July 8, 2011

A Scar Is The Cousin To A Beauty Mark




So the other day, after over a month of dealing, waiting, imagining the worst of all possible scenarios, I finally had the bandage removed from my surgery.

Maybe a little history is needed here: The bandage itself was made of “steri-strips” taped over the wound where the doctor did the cutting. Over time, a collection of gook would form underneath this bandage, which I allowed the drizzle of soap and water from my daily shower to clean. This was the best I could do. After being told by the healthcare pros that I was not to pull on the strips, unless they were ‘very loose’, I became deathly afraid of removing the bandage myself for fear of the gruesome unknown, the fear of being permanently disfigured, and the fear of scaring the freaking horses! Besides all these fears, I’d also been told that the adhesive would wear off on its own so I should not attempt to remove it. But it never did come off on its own.

I have a visiting nurse service where a nurse comes to my home twice a week to take my blood pressure, measure my heart rate, make sure I’m healing, gaining good weight (not the bad weight, a weight composed of mainly fluid which collects in the feet, legs, lungs and eventually the heart, to which would be serious enough to send a patient back to the hospital).

The nurses, in general, are a crew of friendly commandos who are consistently checking up on whether I’m exercising and taking my meds. My main nurse, a feisty lady named Pat, always asks those probing questions about my bodily functions, and whether or not I’m regular. She’s also a helluva teacher who constantly informs me on medical facts I was never aware of, like ….how anesthesia can deaden one’s memory and recall, and how, many patients who leave a hospital will experience a certain degree of memory loss. I am one of those people. I forget shit. Shit, like nicknames of people I’ve known and loved for a long time, and like, suddenly not recalling where I place things, in effect, hiding them from myself! This shit can REALLY frustrate me, since I’ve never been the absentminded type before.

Anyway, Pat would constantly inquire about the mysterious incision beneath the bandage and whether or not I’d cleaned it, seen it, and just when was the mofo gonna finally come off. I figured she was one of the morbid peeps who got off on scars, deformities and those things that turn us into straight-up carnival freaks.
Truthfully, I was not in any hurry to see what lay beneath that damned bandage. When cleaning that area, I could feel this LUMP that was never there before on my upper chest. It reminded me of a goiter or some such gross deformity, so my imagination began to run away with me:

What if I’m reduced to some heinous creature? What if this new physicality repels people, animals and small children? What if I’m a shadow of my former, and yes, mad-glamorous self?

OK. On that last one, I was only joking. I kid. I’m kidding. I’m a kidder. I kids.


But anyway, I would be less than honest if I didn’t admit to the fear of becoming some physical freak. Not only was this new gizmo implanted in my chest making an unsightly bulge and reveal the contour of something strange resting there beneath my skin… but now I would be some new-aged Quasimodo with the kind of scar only rocked by cinema criminals, noir thugs and 1930s-style gangsters.

You have to understand that I’ve always been a very skin-conscious person. I’ve tried to take care of myself in general. After all, one’s outward skin is sort of the epidermis of one’s soul, isn’t it? If something isn’t quite right with it, people and the outside world in general will subconsciously think something is not quite right, internally, with its host.

People can be so cold, so shallow sometimes.

Anyway. I digress.

So, I go to my surgeon’s office, and I‘m mad nervous. After almost a 45 minute wait(WTF!?)I’m asked all the usual suspect questions about swelling, pain, and weight, and meds. My BP is taken and it has elevated from the norm, because frankly being in a doctor’s office makes a brotha kind of tense and anxious. You never know what they’ll tell you. You can go in feeling just fine, and they can so easily burst your positive bubble with a small pin-jab of medical truth.

Lastly, he asks about the incision, and how it feels. Does it bother me? Does it limit my movement? Does it interfere with my sleep. I answer, “yes” to some degree to all the above.

He then asks me when he did the surgery?

You mean he doesn’t remember? Of course not. The man probably performed such surgeries on the daily, to a myriad of different people.

I tell him, May 25th. Hell, even with my current bouts of memory failure I’m pretty sure I’ll never forget it!

He shrugs and says, “Well it’s due time we remove that bandage.”

What I expect will be a slow and delicate maneuver instead turns out to be a quick, unfeeling flip of his wrist which manifests in a quick, unfeeling RIP. After over a month of dealing, waiting, and worrying and imagining the worst of all possible scenarios…

BAM!

He rips that sucka off like he’s mad at it.

He looks at it with a slight squint. Is he repulsed, repelled? Is he admiring his work and nature’s way with healing we mere mortals?

I can’t tell, but a part of me wants to see what the hell he’s gazing at, and yet another part of me wants to flee, to dash down those medicinal hallways down the stairs and out the front doors frightening all the patients and townsfolk, screaming and mumbling Michelangelo!


Somehow, I managed to chill.


Here’s the reality. He hands me a mirror, and BAM: It ain’t ALL that bad. It ain’t that large. It ain’t that hideous. In fact, I think I can live with it. If there could ever be such a thing as cool scar, this one would probably qualify. Adding to this is the fact that getting this scar, and the whole scenario behind it has become the story of how my LIFE came to be saved.

Yes, I’ve always been a sensitive person when it comes to the skin, but this is a scar I can and will wear most proudly. This is the scar that’s enabled me to continue breathing.


Scars. What a concept. What I had saw and had previously thought was that a scar signaled the outward death of our human perfection. Well, truth is I was never perfect. No human being is, so what the hell was I so damn uptight about?


I now choose to see scars as something beautiful. In fact, this scar, my scar is my brand new Beauty Mark!

Behold!

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Ain’t it purdy?

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Snatch JOY!

One.

Saturday, June 25, 2011

Rediscovering One's Own Voice




At the very start I need to preface this entry by stating that, I am NOT a singer. No, that description doesn’t quite fit me, at least not a singer in the true sense or meaning of the word. To me, Pavarotti was a singer. Luther Vandross, Donny Hathaway and Nat King Cole were singers. So, no, in the realest sense of the word or in its truest definition, nah, I’m NOT a singer.


I have, however, been accused of possessing the ability to: ‘carry a tune.’ Yes. Truth be told, I have pretty good pitch, and have performed a mad impressive Seal impression (‘Don’t Crrrrrrrrrrr-i-i—aye-eye… you’re not alone’) in a karaoke bar or two where my efforts were pretty well received. History: I once sang in my junior high school glee club, in my high school chorus, and in a pop soul band in my early 20s. I was that cat who could take a popular song and rework the arrangement and make it sound different, but somehow appealing.

So, I guess you could say I HAD the music in me.


None of this semi-talent would pay my bills and I am and have always been a realist, completely aware of the limitations of this. So, I NEVER went around proclaiming myself to be a ‘singer,’ never did wedding and bar mitzvah thing, never played the chitlin’ circuit, never tried out for Star Search in the 80s.

However, and this is the best thing of all, when you can carry a tune, you can sing quietly to yourself and brighten your mood, keep yourself company, carry a good Zen kinda feeling about the world around you that’s yours and all yours. Maybe people who don’t sing so well, but who love music also feel this way. They can croak and wail and cry like strangled cats and still enjoy themselves, because it’ s really the music that uplifts them.


Well, back in January, shortly after I’d quit smoking… a strange and terrible thing happened. I’d lost my ability to sing. Something about my wind, the sudden shortness in it, the lungs limited capacity and their inability to hold air turned any attempt at singing into a horrible sound that no longer felt or sounded like me. I would try and practice and nothing good or pleasant-sounding ever came of it. My favorite music was no longer something I could sing along with, harmonize with or accompany! This reality would soon add to my depression. Damn! I can’t even self-soothe what ails me with the power of my own voice, because my own voice no longer had any POWER.

I can’t even imagine what people who’ve sang all their lives, or who sing for a living and suddenly lose their voices go through. It must feel like a death felt deep in the spirit, or even worse. All I know for sure it that, for me, something beautiful and necessary was missing and I could feel it. I was reminded of its absence every day . The only place I could sing was in my mind… and that just wasn’t good enough. I needed to HEAR the sound of me, the sound coming directly from my body, my chest, my heart, my throat. My spirit! I needed to experience the colors I was manufacturing through the hues of my moods. I wanted this so badly that if wanting something, alone, made it so, then that wish would have surely been granted. But…

That was 5 mouths ago and I never could get use to it.

I am writing this entry to announce that just as suddenly as it disappeared, I’ve gotten my voice back! I’m learning to SING again. I’ve found or rediscovered my breath, my air, my voice… and this is a HUGE thing for me. It’s like the return of old dear and treasured friend. It’s like all at once music matters again! It’s like that terrible punishment I’ve been under was lifted and the freedom to open my mouth and make a sound that doesn’t hurt anyone’s ears has returned. This wonderful development is still brand new (less than a week old) .

I don’t know if it’s the meds I’m taking for my heart condition or whether the effects of time and much needed rest have conspired to make something mildly miraculous happen, but I’m counting it as a Blessing. Its one more thing in a gang of things I’m finding myself being grateful for. Second chances have been coming my way, and trust me when I state that I’m no longer taking any of them for granted!



Speaking of music and songs sang along to, RIP Michael Jackson, on this the second anniversary of your passing.



One.

Monday, May 30, 2011

A Page of Life From The Really Real!

Hello my friends, readers, people, fam and and lurkers.

This is more a notice than a blog entry. You see, I have been away because of my health. I have literally been at Death's Door for much of this year... (no jest) and for most for this year I was not even aware of it.

Congestive Heart Failure Ain't No Joke!

May 18th is now the day I think of myself as running away from home. I ran from feeble excuses, from confusions, from ignorance and from pat answers. I ran from fear, ran from the sound my own frightened heartbeat, ran from my own fearful voices and straight into the arms of the good doctors at Greenwich Hospital in CT.

After an an immediate EKG, it was deterimined that I had indeed suffered from heart failure, and I was told by more than one doctor that I was a "very, very ill man."
This is serious. This can and has been the death of far too many people.

Staying in a hospital, flat on one's back gives you reason to contemplate and to acknowledge just how fragile we are, and how fragile this thing called LIFE can be.


Sometimes those extended hospital stays are necessary, not only for one's health, but for a recharging of the soul. And so that's where I've been relocated for the last 10 ten days. I was TRYING to get well, trying to find my center, my voice, my freakin' Lin-nesss again. The good physicians and nurses have taken EXCELLENT care of me. I can breathe again.

But there's GOOD news too!

The fear I was living in has been overrriden. I don't think I will die today or tomorrow. There was a time when this seemed almost certain, at least in the quiet of my own mind.

I'm on a proper routine of meds regulated for my condition (which I didn't even KNOW I had)... and best of all I've had an operation that has given me a new lease on life! There is something extra inside my chest now. It feels like prayer but in actuality it is a machine will remain there counting my heart beats, making sure they are steady and strong.

I'm about 20 twenty pounds skinnier, and about 20 years more haunted behind the eyes, but I'm grateful.

The irony of this all is that on the same day the world said goodbye to the gifted writer/singer/activist Gil Scott Heron, was the same day that I was given another chance, a second chance at life.

That must mean something, although I haven't quite figured the grand scheme of things out yet.


I wish you all wonderful health. If there is ever something that doesn't FEEL right, please check it out! We lose people every day simply because we take far too many things for granted.


That's it. That's all. That's everything!

Happy Memorial Day!

Snatch JOY!

One.

Lin

Tuesday, April 26, 2011

Ode To Phoebe Snow



I hardly write anymore. So much of what moves me to write ultimately breaks my heart. I received sad news today. Sadder than even I'd care to admit. Phoebe Snow, the distinctively voiced singer-songwriter who penned the ’70s radio staple “Poetry Man” and toured with the likes of Jackson Browne, Steely Dan’s Donald Fagen, and Paul Simon (she appeared on his hit “Gone at Last”), has passed away following complications from a 2010 brain hemorrhage. She was 58. Some reports now give her age as 60.

Please feel free to talk and remember her uniqueness amongst yourselves.

There are certain things that come to mind whenever I hear her name:

For some reason, long ago and far away, as a teen, it always seemed as if this stranger had GOTTEN me... I mean gotten to the heart of me. She was singing directly to my internal self... long before I'd ever gotten to know the me no one else knew; the true and authentic me: Poetry Man. She was calling me out, my behaviors, my shynesses, my ways which were sometimes unexplainable to even me. Folk, jazz and blues were her calling card and she performed each with such soul-deep understanding. Unique is the only word that comes to mind.

A part of the fascination was that you could not so easily tell what she was or who she was. Her racial breakdown was an initial ambiguity, at least from the pictures being marketed around the time of her debut. Her album cover featured a curly-haired woman-child with a host of moles, but colorless skin tone. I get it now. Perhaps those who handled her career wanted her to be seen as anyone and everyone. I mistakingly thought she was bi-racial. When you heard her sing (SANG!)) you somehow KNEW that Black (and Blues) HAD to be involved. Turns out that in reality, she was a soulful Jewish chick with lots of gravitas.

I don't recall ever crying real tears when reading about someone I didn't know personally until I'd happened upon an old Esquire article reviewing the ins, outs and trapwires of Miss Snow's life, her difficulty in finding love, her feelings of being endlessly unworthy, unpretty, her first heartbreak, the death of her first and perhaps only real lover, the birth of her first and only child who would know a host of mental and physical hardships. It was as if Life had handed this one woman every imagined heartbreak, and had only given her this extraordinary voice as payment.

Snow’s self-titled 1974 debut was almost instantly successful, spawning the top-5 hit “Poetry Man” and earning her a 1975 Grammy nod for Best New Artist (she lost to Marvin Hamlisch... ummm WTF?). Many collaborations and several smaller successes followed, though Snow’s career was ultimately sidelined by the care required for her daughter, Valerie, born severely brain-injured in December 1975.

“Occasionally I put an album out, but I didn’t like to tour, and [the albums] didn’t get a lot of label support,” she told the San Francisco Chronicle in 2008. “But you know what? It didn’t really matter because I got to stay home more with Valerie, and that time was precious.”

Younger audiences may know her bluesy croon best from commercial jingles—she sang the theme song for the Cosby spinoff A Different World, as well as “Celebrate the Moments of Your Life” for General Foods International Coffees, and was featured in ads for Michelob, AT&T, and Hallmark. She also appeared frequently on Howard Stern, and performed at Stern’s wedding in 2008. Damn! Even HOWARD liked and appreciated her... and she didn't have to strip down to a bikini, or have cold cuts thrown at her ass!

Another GREAT song of hers is the autobiographical HARPO'S BLUES. It's so far and beyond being simply poetic... like the mark of any true artist, it tells you something real and deep about life and living. It is here that she croons:

" I wish I was a willow
And I could sway to the music in the wind
And I wish I was a lover
I wouldn't need my costumes and pretend
I wish I was a mountain
I'd pass boldly thru the clouds and never end
I wish I was a soft refrain
When the lights were out I'd play
And be your friend
I strut and fret my hour upon the stage
The hour is up
I have to run and hide my rage
I'm lost again
I think I'm really scared
I won't be back at all this time
And have my deepest secrets shared
I'd like to be a willow
A lover, a mountain or a soft refrain
But I'd hate to be a grown-up
And have to try to bear my life in pain
I wish I was a soft refrain
When the lights were out I'd play
And be your friend
I strut and fret my hour upon the stage
The hour is up
I have to run and hide my rage
I_m lost again
I think I'm really scared
I won't be back at all this time
And have my deepest secrets shared
I_d like to be a willow
A lover, a mountain or a soft refrain
But I'd hate to be a grown-up
And have to try to bear my life in pain

I wish I was a willow
And I could sway to the music in the wind
And I wish I was a lover
I wouldn't need my costumes and pretend
I wish I was a mountain
I'd pass boldly thru the clouds and never end
I wish I was a soft refrain
When the lights were out I'd play
and be your friend
I strut and fret my hour upon the stage
The hour is up
I have to run and hide my rage
I'm lost again
I think I'm really scared
I won't be back at all this time
And have my deepest secrets shared
I'd like to be a willow
A lover, a mountain or a soft refrain
But I'd hate to be a grown-up
And have to try to bear my life in pain
I wish I was a soft refrain
When the lights were out I'd play
and be your friend
I strut and fret my hour upon the stage
The hour is up
I have to run and hide my rage
I'm lost again
I think I'm really scared
I won't be back at all this time
And have my deepest secrets shared
I'd like to be a willow
A lover, a mountain or a soft refrain
But I'd hate to be a grown-up
And have to try to bear my life in pain
."

Damn, that song made me wanna cry, long after I was waaaay too old to be crying, like a baby, in the fetal position. She could DO that shit to you! I loved Phobe Snow. I loved the things her voice could do, the place it could take me, the way it could lift you up from darknesss and I think that was the gift she brought to her own life.



I will miss her in all her sublime and soulful and sadness.


One Love.

Wednesday, March 30, 2011

imprisoned, age seven


imprisoned, age seven



it is frozen

inside a sepia photograph. & i

am forever

its imprisoned child.

the dark brown child

grimacing inside, when the white

photographer demanded


"smile..." this is what

"happy" looked like

at seven. after

my father

brushed & greased my

defiant, black hair

into some semblance of


a part. tied a noose around my neck... &

fashioned from my squirming,

crying, wildness this

upright afro-

american child.


& so...

half-heartedly

slyly, then rebelliously, i

became "him"... this

little brown clown of

robotic assimilation.


posed, frozed in his

best sunday clothes, until

he did not look, or feel

or even smell like me.



"smile..." you little fool


this one's for

prosperity.






One.

Photobucket


© 2006 by L.M.Ross moaningmanblues