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Saturday, July 5, 2008

Bullshit A Go-Go


Inside the club:

So it's the night of the 4th of July, and I'm doing what I'm paid and tipped to do: imbibe the heads, throats, the egos, the bellies, and the livers of those who want to drink the night away.

Being a bartender is not for sissies. There is way too much stuff... too much drama and heartbreak, sadness, and b.s., and the dull ache of loneliness surrounding you.

You are hurled into this cacophonous arena, caught inside this strange land of poseurs and ventriloquists throwing their voices from the slick and jagged lips of the twisted. You're caught there… like some reluctant spectator, as the smooth and vicious volleys of nightlife play out.


It occurs to me that Everybody wants to be a star, at least after midnight, People want to shine brighter, appear hotter, and more brilliant than the rest. If you work in a bar, you begin to
intuit this, to know it by instinct, to detect it in the mirrors, and you can smell the smoke and fire of it. You hear its braggadocio convo, the slick words and slicker motives that make you go, "like Whoa!"

You know the scam, the scandal, the hustle, the quick buck, and even the opportunistic fuck, and it all just makes you lose faith in humanity, especially the drunk and distraught, the lonely and the most desperate kind.

This all paints a wildly psychedelic landscape inside the metal state. It etches a portrait of just how sad and scared people are. Some forge foundations of potentially core relationships on a lie, or a look, or size of one's privates, or someone's ability to make them laugh, or to forget, even momentarily. People build fast-food relationships on a tradition of paper houses that sit and waver upon acres of bullshit.


Once, just once, I'd like a night of nostalgia, of respect, of charm, of finesse. Just once I'd like some lively intelligentsia which rubs my cranium with a mouthful of lovely. Just once, I'd enjoy the give and take, the ebb and flow of a buoyant conversation that doesn't hurt so much, make me feel so nauseous, or used, abused, or a sad victim to the usual bullshit a go-go.


Some people can astound me with their sadness, this way they attempt, yet fail to mask it with manicures or too much make-up, with gym memberships, or impeccably groomed wildness, with French cologne or perfume to drive away the stink of it. I've seen and watched them pickle
their sadness into jars of superciliousness arrogance. Seen them erect their genital sadness, get it to smile, and to do risqué somersaults and tricks in the dark.


And watching these retarded little incidents take place, and working and pouring and listening to what my ears are held hostage to hearing, I've come to see the saddest truth of all: people,
even barflies, even drunks, even users, even thieves, even adulterers, even bitches, even bastards, even bullies, and even hacks like me… all want a little piece of acclaim.


It's lonely out there in this fog of horror; this unspoken, unnamed yet very real terror. It's sadder still to head back home all alone, untouched, unkissed, unfucked, unfelt, unloved. I guess.







Happy Belated Birthday, America!


* * * *



One.

Wednesday, June 25, 2008

WHORE!




She
used sex
to tell
the world
how fuckin
hungry
she was. A ravenous
girl, turned woman, turned junkie
turned mother,
turned out…

She used
her tits to
nurture the masses
feeding men who never
once
fed her back…

Sustenance
to her was
like some foreign
food, never tasted
lacking its
proper nutrients
lacking its
lactating mama
lacking its daddy's
love
'cause
love
left,
packing
its vagabond shoes...

Too many mouths
left unfed
too many cries
and bellies
left empty
so...

She fucked
out of hunger
for affection
so she fucked
from an absence of
tenderness

So she fucked
from a need
to feed every crack,
every crevice
every cranny,
every gash
left open
in her soul.

So she fucked
and they called her:

"A whore"

"A ho"

A “punta


as if *they*
were somehow

Better

because the neon
of their hunger
didn’t show
so much.




One.

By L.M. Ross

Saturday, June 14, 2008

Sometimes I Feel Like a Fatherless Child


Da,

Can you understand how
I roam alone now
In this urban
Wasteland,
Fatherless...
Like so many other
Direction-less trash-
Can boys?

In the uneasy noise of
My thoughts,
I sometimes feel as if
I am one of them,
Caught inside this
Whirlpool, this vast
Complexity of
Who I am
And how to be
A man...
How to cope
And how to make
This world
Take note of me.

Strange,
The older I get
The more this
Child in me
Longs for
A bit more
Understanding. You

Were there
For me. You were
Not some habitual
Absentee or
Sperm donor cat...
But a dad,
Even in that distant
Strain of
Silence
Caught between

Machismo

And ignorance... Not fully knowing
What a father should be...
Could be. Would be.

Curly gray afro,
A waft of cigar smoke and
A knitted brow that spoke
A thousand utterances...
This was what I knew most
Of you. I wished

You were more poet than
Provider... more the
Father confessor
Than insular figure,
More articulate
More generous with the wealth
Of your
Emotions. But
I've had to make do
With who and what
You were.

I am no longer
Seeking your
Approval nor
Your validation. I am no longer
Broken nor cut by
The blade of your silences.
I am no longer
An awkward slave to
Your curious nature.

I just sometimes miss
This touch-memory of
You embracing me.

No. No holiday
Will ever bring
That back...no greeting
Card reanimates
What I've lost
Or what I lack... yet I am
Forever the son
Of a proud Virginia
Black man. The son

Who won the lottery...

A winning ticket of
Priceless lessons and
A treasure trove of memories
This fatherless child
Must now depend upon to
Sustain me.

Happy Father's Day, Da.

From your son, Lin

One.

Friday, May 9, 2008

The Moanin' After



From the author of haunting and poetic novel "Manhood... The Longest
Moan," comes the latest work by L.M. Ross... "The Moanin' After"


The Moanin' After is a character study of four people living,
dreaming, some scheming, and some of dying in New York City
during the mid-1990s.

The story takes place in the aftermath of the fast and fabulous
life, and reveals the consequences some must pay for dancing
a little too fast.


While the book explores the darker themes of greed, avarice, religious
hypocrisy, homophobia, and vengeance, it is ultimately a story of hope, and of
finding one's spiritual center amid a time of chaos and uncertainty.


The writing itself contains the rhythm, the meter and the cadence of
poetry, which has become the author's trademark.


The Main Characters are:

David Richmond, a former dancer, and surviving soldier in a war of
decadence, defiance and the deaths of his beloved friends.

David...


"Bet I know what you're thinking. I do. You're thinking: so what the
hell is a black man doing sitting inside a shrink's office? What he
dun done? What holy Hell did he raise, and how many fires did he set?
Black men don't do psychiatrists. When we're in crises mode, some of
us tend to do drugs, or drink or God. So, for my ass to be there in
that chair, surely it had to be an act of sheer buck-wild madness,
right? Are you wondering how many innocent people did I, slaughter?
Did I just go-off one day, and shoot everyone on the subway? Well, I
was sitting in that chair for a damn good reason. You see, there was
something seriously wrong with me.

Pssst… Can you keep a secret? Come closer. My secret is this:
I am not a well man. Hell, I may already be dead by the time you read
these words. If so, whatever you believe in, please, without getting
all Dionne Warwick about it … please, say a little prayer for me. "


Bliss Santana is a beautiful actress who fell in love with the wrong
man, at the wrong time, and who is trying her level best to finally
make the right choices, not only for herself, but for her young
daughter ...


"She didn't talk about Face Depina much anymore. It

wasn't that she hated him for what he'd done to her. It was

just too painful a place to visit. Besides, she saw him daily in

their daughter's face. Tyra, with same liquid green eyes as

her father's, and the same mischievous smile that could so

easily break a mother's heart.



No, she didn't have to talk about Face Depina to feel his

presence in her days and nights, or to know of the hold he

still had upon her, and his grip upon her life. "


Kindred... a young man with the face of someone recently dead, and who
appears to be the very spirit and essence of all things kind, curious
and brand-new.

"Even as a kid, I watched people very carefully. And the one thing
I've learned is, people want to put on their best face. But when you
watch them when they don't know you're watching them, people can be a
very revealing, and maybe little sad.


"That's why I want to be a writer. I feel like I need to recite
people, from inside out, to make them clearer for the world."


Faison "Browny" Brown… a failed singer, who feels cheated by the
lyrics, the stanzas and the main chorus of life, and yet is still
seeking his one last chance to that high and pristine note.


"He'd taken a years-long smoky toke of that the hellish joint that is
New York City, and it turned around and stole his dreams composed of
moody saxophone riffs, Afro-Blue Operatics, prison bars, and vicious
nightmares that flowed from the trash heaps of his soul.

Sometimes, in the Wee Small Hours, men in bars will affect this
posture of last chance Romeos or sad-eyed Sinatras, nappy King Coles,
and old-graying panthers.


And the women didn't always treat them fine, because Harlem ain't
Broadway, nor Hollywood & Vine. It's just a rhythm place uptown where
the people are beautiful and lively and striving, and yes, some are
hungry, too.



But inside a moody bar on Lennox Avenue, wine spilled and gin and
vodka flowed as youth and come-hither grins slowly rotted with the
atrophy of time. It was a place where people sat and drank their
yesterdays slowly and drunkenly out of mind. And Browny was there
with glass of groggy spirits, drinking down every dream he ever had."

But then he gazed inside that barroom mirror, and inside it, he saw a
face that could change his destiny.


The Moanin' After dares to ask the necessary question:


Is there Life after the parties after the sickness, after the grief,
after the deaths?


Maybe then it's time for the survivors to find the Purpose in LIVING again.




The Moanin' After is a novel by L.M. Ross. Ross is the author of the
critically-acclaimed Manhood The Longest Moan, the 2007 LAMBDA Award
nominated for Best Male Fiction.

http://www.myspace.com/manhoodthenovel


"Reading LM Ross recalls two music forms: the atmosphere and narration of the story are definitely from the Blues mold, while the technique Ross embraces in telling his tale is pure Jazz - themes, riffs, solo runs, scat, and the magic of having the ensemble come together in a climactic end. With this novel LM Ross confirms his status as one of our important novelists. His work 'snatches joy!'" ~ Grady Harp, Amazon Top Ten Reviewer

Thursday, May 8, 2008

Feeling like a Long Blue Moan



I love: the art in and of expression...


I hate: limitations of any kind...


I fear: never having been *felt*...


I hope: there is a Heaven...


I hear: Music, all the time...


I crave: human understanding...


I regret: ever hurting anyone...


I cry: for abused children...


I care: so damn deeply..


I always: breathe...


I feel alone: in my solitude & dig it muchly...


I listen: closely to the lyrics of jazz...


I hide: my deepest pain from others...


I drive: some people crazy...


I dance: with each stride of my walk, yo...


I write: because it lets my soul sing...


I act: like a gentleman... most times...


I miss: the people I’ve lost...


I eat: new KNOWLEDGE...


I drink: vodka martinis, str8-up w/ a twist...


I learn: that life continues presenting new lessons...


I feel: I am a work in progress...


I know: a Creator exists...


I sleep: with dreams as constant companions...


I wonder: why I don’t have wings to fly...


I want: to heal.. .


I worry: about the future...


I have: a cosmos in me...


I fight: my insecurities...


I need: to purge sometimes...


I am: a human being w/one beak of song...


I think: I'll sing.


One.